Byron Wilson
in process
Monographs
A Book of Acknowledgement as Testimony
A story of Black creative formation in Los Angeles within Art Center College of Design
A Book of Acknowledgement as Witness
A story of Black creative formation in Los Angeles within Art Center College of Design
Manuscripts
On Formal Theory and aesthetics
- Ethics of Form I: Photography, Evidence, and Judgement
- Ethics of Form II: Force, Translation and the Limits of Capacity
-
Ethics of Form III: A Sacred Plasticity
(series in development)
- Harlem is Still Nowhere: Richard Wright’s Black Health Aesthetics, and the Afterlife of the Renaissance
- The Plastic Image: Material Exposure and the Afterlife of Form in Michael Heizer's Double Negative
On aesthetics and black studies
- In the Void: Photographic Formation and Black Sacred Time on Mormon Mesa
-
-
Before and After are not Broken: Howard Thurman and the Sacred Plasticity of Photographic Night
-
- Living Witness and the regimes of Reception: Howard and Sue Bailey Thurman on Institutional Form and Black Presence
On Education and black studies
- Sitting with the Problem: Reviews of Racialized Processes and Racism in Educational Research
-
- Mapping Community Demand and Public College Provision in Mid-Century Black Los Angeles
- On philosophy and science
- On Collaborative Worldmaking: AI Ontologies, Mimetic Desire, and Remembering Suffering
-
- Epistemic Humility as Witness: Reading Enterprise AI Ontologies with James Cone
-
- Subjectifying Machines and the Rendering of Black Life as Calculable: Black Theology in an age of Agentic AI
Images
- Gordon Parks, contact sheet- (studies of runner),1952
- Gordon Parks, contact sheet-(studies of an artificial eye in a glass of water),1952
- Gordon Parks, Untitled, Harlem, New York, 1952
- Mathew Brady Studio, after William D. McPherson and Mr. Oliver, Peter, 1863
- Arthur Jafa, Ex-Slave Gordon, 2017
- Arthur Jafa, BG, 2024
- Fred Eversley, Untitled, 1975
-
Michael Heizer, powder blasting caliche cap of Mormon Mesa, Nevada
Michael Heizer, 1968 -
Byron Wilson, Untitled, 2025
- Gordon Parks, Window, Harlem, New York, 1952. Gelatin silver print.
- Gordon Parks,Mysticism, Harlem, New York, 1952. Gelatin silver print.
- Gordon Parks, Off on My Own (Harlem, New York), from the series “Harlem is Nowhere”, LIFE, 1948.
- Gianfranco Gorgoni, Double Negative, 1969
- Byron Wilson, Untitled, 2024
- Byron Wilson, negative for Untitled, 2024
- Field notes and shot sheet for imaging Double Negative, 2024
- Field notes and shot sheet for imaging Double Negative, 2024
- Byron Wilson, Void - 2, 2025
- Byron Wilson, Musoni, 2025
- Byron Wilson, Void - 1, 2024
- Ricahrd Saul Wurman, Urban Atlas: 20 American Cities, 1966
- Ricahrd Saul Wurman, Urban Atlas: 20 American Cities, 1966